About my artwork, it's a melt of several mediums: drawings, paintings, scultpture, installations, and soundscapes even if I'm more painting focused nowadays.
My subjects are about oppositions or combinations of various elements remaining in the collective imaginery such like religion(Although i'm atheist, catholicism is a great source of inspiration, maybe due to the will to associate body, soul and sharing objects: pictures, relics, eucharistie, sufferings and martyrs..), prosaïcal mankind conditions, primal instincts, civilisations process.
So you can find lot of recurrent elements like hanging chairs, crosses, burial, flying eyes, jesus like caracters, stomacs, sperms, faces, fotus, war fields, afraid soldiers. which are depicted naive style or comics or expresionnism touches. All evolving in a kind of puzzle in a labyrinthic progression.
If you look a the "lost entertaimnent" photos serie you can see that the installation work is kind of dry and deceptive, as if the painted work have to figure an expressive wave of unnamed energie and the volume work a form of poverty which brings a dramatic haunting overview.

My first statement is that I think there is no progress in art. The ways to express fundamentals like life, love and death can be changing by the technical evolutions, but the issues are the same. Maybe that's why I consider painting as a milestone which combinate the same statements with an evolving grammar and vocabulary.

As inspiring artists: Cimabue, Giotto, Grünewald (a big one!), Manuel Ocampo, Filip Guston, Francois Bouillon, Bruno Carbonnet, Thierry Decordier, Baselitz, Tomas Schutte, Franz West, Kippenberger und so weiter.