Roundabouts – Carmit Gil’s
Mandalas
In Mandalas, her second solo show at galerie frank elbaz (oct 2005)
the young Israeli artist Carmit Gil brings together a few ancient
traditions of working with circles, with these early modernist attempts
to harness it to its geometrical abstraction and proto-mechanical
tendencies. Her new series of painted aluminum and fiberglass flat
objects draw from and connect different systems of aesthetics: product
design (car plate, tooth), religious and spiritual traditions (church
murals, Tibetan mandala), street furniture (tree grills, sewer covers),
astronomy and star gazing (moon, galaxy and stars).
In Mandalas Gil continues to work on some of the questions she began
in her previous projects. Here again she confronts the relation between
flat and three
dimensional objects, and the possibility of working today with and against
traditions of ornamentation, issues that were the focus of her work Carpet
gallery (galerie frank elbaz, 2004). Once again she takes on “street
design”, a subject she began tackling in her drawings of sewer covers
and staircases (2002-03). Yet in Mandalas she pays closer attention to the
patterns themselves. Alongside geometrical and abstract ornaments, Gil examines
the filtration of the natural (flowers, stars) and the symbolic or even supernatural
(Stars of David, crosses, crescents, and, of course, the circle itself) into
aesthetics of everyday life. Once again, as she did with her Bus, a large sculpture
she presented at the 2003 Venice Biennale, by emptying her objects from all
superfluous visual information, Gil allows us to pay closer attention to the
objects we tend to miss, even though they are what our eyes meets most, every
day, all around.
Gilad Melzer |